The Rage Against the Machine guitarist's remarkable transformation from purveyor of weapons-grade funk-metal riffs into introspective protest folkie yields even more impressive fruit on his second solo effort The Fabled City.
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Los Angeles Times
Morello's singing could inspire chuckles rather than revolution. But on The Fabled City, he and O'Brien have dressed it up enough to make it seem almost super at times.
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Rolling Stone
Lyrically, Morello still goes over the top, piling on biblical references and Dylanesque nonsense like "one-eyed crow, tappin' on the windowpane." But with a solid band behind him, he seems much more confident in his new role as a modern protest troubadour.
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